In Renaissance Florence, churches were once internally divided by monumental screens, impressive artistic structures which separated the laity from the clergy. This book reconstructs the social and visual effects of these layouts and examines the religious and aesthetic motivations behind the...
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In Renaissance Florence, churches were once internally divided by monumental screens, impressive artistic structures which separated the laity from the clergy. This book reconstructs the social and visual effects of these layouts and examines the religious and aesthetic motivations behind the elimination of screens in the Counter-Reformation.
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