A study that considers the placement of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. The author shapes her engagement with film by the foregrounding of the human body in the filmic diegesis and the viewing experience.
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A study that considers the placement of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. The author shapes her engagement with film by the foregrounding of the human body in the filmic diegesis and the viewing experience.
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