The first and still one of the best critiques of post-1960s cultural radicalism, analyzing why and how the defenders of literature have gone wrong. A wonderfully trenchant and illuminating inquiry.-Virginia Quarterly Review.
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The first and still one of the best critiques of post-1960s cultural radicalism, analyzing why and how the defenders of literature have gone wrong. A wonderfully trenchant and illuminating inquiry.-Virginia Quarterly Review.
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