Omise'eke Natasha Tinsley traces how contemporary queer Caribbean and African American writers, filmmakers, musicians, and performers evoke the divinity Ezili-a pantheon of lwa feminine spirits in Vodou-in ways that offer a new model of queer black feminist theory.
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Omise'eke Natasha Tinsley traces how contemporary queer Caribbean and African American writers, filmmakers, musicians, and performers evoke the divinity Ezili-a pantheon of lwa feminine spirits in Vodou-in ways that offer a new model of queer black feminist theory.
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