Through a seemingly anarchic but subtly crafted chorus of female voices, from feminist thinkers in English and French, to the stranger on the street, Clara Schulman's essay blurs the boundaries between body and art; personal and political.
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Through a seemingly anarchic but subtly crafted chorus of female voices, from feminist thinkers in English and French, to the stranger on the street, Clara Schulman's essay blurs the boundaries between body and art; personal and political.
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