Košík
zboží
(prázdné)
In this set of essays that cover the period from 1992 to 2012, Kobena Mercer uses a diasporic model of criticism to analyze the cross-cultural aesthetic practice of African American and black British artists and to show how their refiguring of visual representations of blackness transform...
číst celé
In this set of essays that cover the period from 1992 to 2012, Kobena Mercer uses a diasporic model of criticism to analyze the cross-cultural aesthetic practice of African American and black British artists and to show how their refiguring of visual representations of blackness transform perceptions of race.
schovat popis
- Nakladatel: Duke University Press
- Kód:
- Rok vydání: 2016
- Jazyk: Angličtina
- Vazba: Taschenbuch
- Počet stran: 384
- Šířka balení: 23.5 cm
- Výška balení: 18.1 cm
- Hloubka balení: 2.2 cm
- Váha balení: 858 g
Recenze