Drawing on sources in Sanskrit, Tamil and Telugu, the author argues that the performance of plural religious identities in public space in Indian early modernity paved the way for the emergence of a distinctively non-Western form of religious pluralism.
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Drawing on sources in Sanskrit, Tamil and Telugu, the author argues that the performance of plural religious identities in public space in Indian early modernity paved the way for the emergence of a distinctively non-Western form of religious pluralism.
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